Monday, July 31, 2017

REVIEW / Elite Dangerous (PS4)

 

If you hadn’t noticed, the space sim from developers Frontier DevelopmentsElite Dangerous, has finally released on the PS4, almost three years after it launched on PC.  Boasting that it offers, “400 Billion star systems and an ever-evolving narrative,” you can experience all that this game has to offer either alone or in a very robust multiplayer environment.  As a starship Commander, you take control of your own starship and can fight, explore and travel throughout an expansive cutthroat galaxy.  Keeping your ship upgraded with the best weapons and equipment is paramount as you explore the galaxy, fight off pirates and smuggle, trade and mine your way to prosperity.  You have to do whatever it takes to earn the skill, knowledge, wealth and power to stand among the ranks of the Elite.

 

Elite Dangerous

 

Back on Jan 9, 2015, my esteemed colleague Nick Christophi wrote a review for the PC version of the Elite Dangerous.  If you want to read his take on how the game panned out back then, you can read his review here.  Nick scored the game a 7.0/10 and I have to agree with him on that.  While there are some improvements to gameplay on the PS4, this version of the game is basically the same game that Nick reviewed so I stand by his score.  For this review, I just wanted to highlight the features and issues that stood out to me.

 

Elite Dangerous

 

The first thing that I immediately noticed about the game is that it has an incredibly steep learning curve.  It took me going through the tutorial lessons multiple times because I just couldn’t wrap my head around how the game worked.  There were just a few tutorials and some tutorial videos that you could watch but I felt that there should have been more to flesh out the nuances of the basic game procedures a little bit more.  There wasn’t a lot of guidance once I got through that beginning training, but that’s not necessarily a bad thing.  If you don’t like a lot of hand-holding, this is the game for you because it is up to you to blaze your own trail right out of the starport.

 

Elite Dangerous

 

One of the issues with the game that Nick pointed out that resonated with me was the fact that he though that flying around the galaxy felt lifeless and lonely.  I have to say that as I began playing, I had that same feeling, however as I got into getting from place to place, the galaxy started to fill out a little more and there weren’t too many long stretches of time where I felt like I hadn’t seen another soul for a long time.  I think that is obviously due to the fact that more people have had a chance to pick up the game as well as the fact that there has essentially been updates to missions and activities to make them a more polished and accessible experience.  Whatever the case may be, there is a good balance between the times where you are alone and the times where you will encounter other players.  Sometimes you just want to pillage an outpost without the prying eyes of look-ee-loos.

 

Elite Dangerous

 

There are a few performance issues that this game has on the PS4 such as how the framerate will drop when you come out of hyperspace or if you are trying to drop off your wares at a particularly busy space station.  That is something that a future update can remedy so it isn’t a deal breaker.  One other thing that stood out to me is how intricately detailed the inside of your ships cockpits are.  Being that you spend a lot of time looking at the HUD, it goes to reason that Frontier would ensure that this was something special to look at.  Just one look is enough to see that the developer has put in a lot of time perfecting even the smallest detail.

 

Elite Dangerous

 

The freedom of exploration and the vast area that you have to explore is what Elite Dangerous is all about.  If you don’t want to explore new galaxies and share your findings with other players, you can engage in trading and grow your bank account or you can get into pirating and just take what you want from unsuspecting traders.  The choice is up to you.  If you want to do a little of all of those activities, the game doesn’t punish you for switching it up every once in a while.  This game offers the freedom to go anywhere and do anything that most games that make this claim just don’t quite live up to.

 

 

 

This review is based on a retail copy of the game provided by the publisher.

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PS Plus games for August are kind of a big deal

 

One of the few perks of having to pay for a subscription to Sony’s PlayStation Network (yes, I’m bitter: long time PlayStation owner here) is that each month, your PS Plus membership yields some hard-earned freebies. Mostly, these are titles from smaller developers, but before you scoff: Psyonix’s instant mega-hit Rocket League was one of the first to be offered for free, and heck, look where that ended up.

Gratuitous picture of my favourite competitive game inbound…

Last month on PS4, we received SuperMassive Games’ creepy horror survival game, Until Dawn, as well as Telltale’s Game of Thrones series – as if you needed any more GoT in your life. The PS3 offerings were Tokyo Jungle and Darkstalkers Resurrection, and the Vita got Elemental and Don’t Die, Mr Robot; these freebies are still available until midnight on July 31st, so if you missed them, there might still be time, depending on when this is published…

Ahhh! It’s hideous!

Anyway. Things have taken a surprising turn this month, as the indie developers are somewhat overshadowed by the addition to two relatively titanic titles to the list of PlayStation Plus freebies for August 2017.

First up, we’ve got Ubisoft’s surplus-to-requirements spin-off to 2013’s Assassin’s Creed IV: Black Flag, more commonly known as everyone’s favourite pirate simulator. Assassin’s Creed: Freedom Cry tells the swashbuckling tale of Edward Kenway’s second-in-command, Adewale, as he navigates the waters of emancipation in the aftermath of Kenway’s return to England. Filling the gap in the timeline between Black Flag and Rogue, if you’re bored waiting for Origins to drop this October – as I am – Freedom Cry might be a good way to pass the time.

Yeah. I’d look that miserable too, in that weather.

Next on the list is the most substantial triple-A title I’ve seen on the PS Plus freebies list since maybe, like, forever. It’s Square Enix’s Just ‘Cause, Explosions— Sorry. I meant, Just Cause 3. Rico Rodriguez has returned home, to find the sunny, geographically ambiguous Archipelago of Medici under the oppressive leadership of a fascist regime, and we all know what that means: grab your RPGs, folks, because this could be the most violently volatile Just Cause yet (N.b. I’ve played this one, and can confirm the accuracy of my own statement).

Do the civilians lie awake at night, flinching at every distant explosion?

By all standards, that’s a pretty good haul, I hear you think, and I agree. But wait… there’s more. Also up for grabs for PS Plus members on PS3 is Super Motherload, a multiplayer digging adventure game created by XGen Studios; on top of that, you’ve got Snakeball, a 3D remake of the classic videogame Snake. On the PS Vita, you’ll be able to download both Downwell  (which has cross-buy with the PS4) and Level 22, both of which share a retro art style and the promise of surprising procrastination potential.

Looks like the sort of frantic gameplay that could ruin friendships.

These PlayStation Plus freebies will drop August 1st: get them on the PS store, for free (duh). For more information, check out the blog page here.

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Sunday, July 30, 2017

PREVIEW / Beat the Game (PC)

In 5 minutes, Beat the Game had managed to convince me that my morning coffee had been inadvertently laced with LSD. By the 10 minute mark, Beat the Game had tapped previously defunct areas of my brain, and had begun to poke them with a sledgehammer. Within a mere 15 minutes of gameplay, Beat the Game had reduced me to a senseless wreck, able only to nod my head in time to a pulsating, electro-new-wave-synth rhythm.

 

 

I may be exaggerating a little, but I do suspect that the creators of Beat the Game – the San Francisco-based Worm Animation – suffer from severe hallucinatory episodes; I highly doubt that imagination alone concocted such absurdity. Offering little by way of narrative exposition, I was dumped straight into the perspective of an unnamed biker, drawn and animated as though he were an extra in The Nightmare Before Christmas. Dressed in prison stripes and a tight bodysuit with matching cowl, he rode some sort of hover-bike until he didn’t, crashing into a vending machine half buried in the moonlit desert. Then he kicked the machine… and there was carbon dioxide soda… floating eyes with wings… the biker sits in a chair… but suddenly, TREE ROOTS! After some hours sleep, underground… boy in striped pyjamas makes the surface…  and then music.

 

 

Suffice it to say, until instructions begin to appear on your screen (and for some time after), Beat the Game makes zero sense. Once the prologue is out of the way, however, and you’ve reached the first open area, a terrifying voice commands you to collect sounds. And thus, you begin sampling your environment and using the portable mixing deck to create the sickest beats this side of the new millennium. Don’t ask me why. I’ll never tell.

 

 

What I can say, though, as a musician with a creative streak, is that Beat the Game doesn’t need a reason to drop a filthy bass-line. You’ll soon forget the dodgy narrative, the painful camera functionality, and the lack of attention to syntax (a pet peeve, nothing more), because you’ll be mixing that unwashed kick drum with synthetic waves, artificial hi-hats, and whatever else you can get your audio sampler mitts on. You don’t even need a musical ear: the mixer does the hard work, so all you really need to do is keep selecting and deselecting samples until you find a rhythm that takes your fancy.

 

 

The time I spent with Beat the Game was very limited, but it takes mere moments to respond to the quality of the graphics, or the intuitiveness of the UI. Beat the Game did not leave me wanting in any respect other than wanting to play a little more: if you’ve watched the trailer, you’ll see that the oddity soars to new heights as the game progresses. Perform your favorite composition to the crowd in lieu of a boss-fight – if they like it, you’ll progress to the next world. Scour the world with a rolling robot that I hope makes full use of the game’s intriguing open level design; plod about as the anonymous musician (edit: he’s called Mystik, but you’re never actually told that), using either keyboard or controller, and sample anything that moves.

 

 

It’s crazy, but it works. With music from house producer Marc Houle, Beat the Game is a nonsensical, aural, point-and-click journey into one of the more imaginative environments I’ve ever had the pleasure to virtually explore. The cutscene animations are strong, and the music, grungy; Beat the Game is, in the words of founder Cemre Ozkurt, giving you every opportunity to flex your compositional muscles. Make music, Yo.

Beat the Game is scheduled for release in early 2017 (note to devs: we’re approaching late 2017, folks), and will be available on Xbox One, PC, Mac and Linux.

 

 

 

This preview is based on an early access copy of the game provided by the publisher.

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Saturday, July 29, 2017

Crisis Action VR launches on Steam VR

 

As you all probably know by now, I’m TVGB’s VR nut. I think this is probably because I’m not here most of the time and being given a valid excuse to actually be elsewhere is just awesome. What’s this got to do with anything? Well, being said VR nut, I’m obviously going to be bringing you VR news whenever I can. So let’s get on to this little order of business – Crisis Action VR, a survival horror FPS by Pixel Wonder, is now available on Steam VR.

The title will offer support for the HTC Vive, Oculus Rift, and of course the keyboard and mouse. This will let you get some killing done in the fashion most comfortable to you.

The addition of this title to the library is great for two reasons. All of us VR fans will have something new to sink our teeth into which is of course brilliant but this is definitely one for survival horror enthusiasts as well. We aren’t just talking another zombie slay-fest, we’ve all done that before. This is a game that is said to really build suspense and make fear palpable. If this is the case this is something that is going to lend itself massively well to VR.

So what can we expect from the game then? Crisis Action VR offers a bunch of different game modes and is aiming to appeal to everyone. If you want to go on a zombie killing spree with a maximum of four of your mates, you can. The game’s versus mode offers player versus bot battles. Of course, if you want to kill your mates well there’s player versus player too.

There’s plenty here for solo gamers as well. Story mode invites you into a world on the brink of total zombie apocalypse. You will find yourself trying to find the cause of the epidemic, while fighting off waves of the undead in an attempt to get out alive. The game offers a variety of scenarios and story lines that will test more skills than just basic zombie slaying.

Now let’s remember that this is VR so you can expect and enhanced sense of action. Crisis Action VR is really going to be getting the adrenaline pumping. You already have the heart wrenching, pulse pounding, feeling that comes from getting out of a totally lethal situation alive. If you add in the pure unadulterated fear factor of waiting for that elevator door to slowly open, or investigating a creepy office for clues knowing that there is a horde of vicious undead not to far away you’re going to be getting an awesome mix of thrills and chills.

You can play to your own style with Crisis Action VR. The game offers you a wide variety of weapons. You will find many of your FPS favourites but for players that like to get up close and personal there are a range of melee options for you to choose from as well.

All in all this looks massively interesting. So many of you just need to be scared. This game may well accommodate that urge. At the very least Steam VR fans will have something a little bit different to throw themselves into.

 

 

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Dead by Daylight – A Lullaby for the Dark released

 

Dead by Daylight was released on PC last June to largely positive reviews and high sales. The game pits multiple players in survivor roles (third person perspective) against one player acting as a killer (first person perspective). Lauded for its largely unique contribution to the horror game genre, it eschews jumpscares for mounting tension and creative takes on classic horror tropes. Each survivor and killer character has their own advantages and disadvantages, which can be made more or less effective depending on the map chosen.

Following its release to console earlier this year, developer Starbreeze Studios has released a free-to-download new “chapter”, Lullaby for the Dark, which features a new killer, a new survivor, and a new map.

Although this is the fifth chapter to be released following the original game, the new killer, The Huntress, is particularly notable for being the first of the killers with a ranged attack. It is also hinted that she may have an advantage on the new map, called “Mother’s Dwelling”, which is her home deep in the forest. She also has an ability called “Huntress Lullaby” which makes skill checks more difficult for the survivors and grows in power as more of the survivors are sacrificed. The new survivor, a former rugby player from Manchester, also has some interesting abilities focused on resilience to injuries and gaining bonuses for protecting other survivors.

While the “Mature Gamer take on the thrills of hide and seek” aspect and fairly consistent offerings of new content have kept player interest high over the past year, it would be a mistake to skip over the backstory and bios that the game’s creators have put so much effort into. Most of this lore is found not necessarily in the game, but can be read on the game site here.

Lullaby for the Dark is now available for PC for free via Steam and other digital distribution channels. Learn more at http://ift.tt/2uLBlUR or check out the game on Steam here.

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Thursday, July 27, 2017

Bandai Namco reveals Dragon Ball Fighterz closed beta dates

 

Dragon Ball Fighterz Closed Beta

 

Bandai Namco originaly anounced at EVO 2017 that the closed beta sign-ups for Dragon Ball FighterZ would begin on July 26th, 2017.   However, due to the enormous volume of excitement and enthusiasm surrounding this announcement, the publisher has decided to expand the capacity of the Closed Beta in an effort to enable more players to participate in the program.

In addition, the beta organizers are also working to bolster their background systems to ensure that the closed beta registration and selection process can accept the volume of anticipated sign-ups. While that is definitely good news, there is just a little bad news to report.  In order to open the beta for more players, these efforts will necessitate a slight delay for the Closed Beta sign-up date, which will move to August 22nd, 2017.

As far as when the actual beta will take place, it will happen on September 16th and 17th at the following hours:

                                EUROPE (UK) CST

  • 1st Session*        10:00am – 13:00pm (Saturday)
  • 2nd Session*     18:00pm – 21:00pm (Saturday)
  • 3rd Session*      2:00am – 5:00am (Sunday)
  • 4th Session*      21:00pm – 00:00am (Sunday/Monday)

*Timings are subject to change.

The developers want the fans that participate to be able to enjoy the game at its best so they are making efforts to include more than the previously announced 9 characters in this Closed Beta, as well as fleshing out a good portion of the Lobby.  As a reminder, the Closed Beta will be available on PS4 and Xbox One consoles only.

The retail version of Dragon Ball FighterZ will be available for the Xbox One, PS4 system, and on PC early next year.

 

 

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Wednesday, July 26, 2017

REVIEW / Super Cloudbuilt (PS4)

 

Do you ever wander past groups of kids or sprightly young adults doing parkour in public areas and wonder what it would be like to run along walls and jump insane distances? Well, Super Cloudbuilt has you covered, all from the comfort and safety of your couch. Originally released on PC in 2014 under the name Cloudbuilt, Coilworks and Double Eleven completely remastered the title from the base mechanics up and re-released the game for PS4, Xbox One and PC. Super Cloudbuilt is the definitive edition of the original game and has been designed to make the experience more intuitive to new players while adding increased depth and variation, as well as allowing players the time to explore in between focusing on breakneck speeds and high scores.

 

 

In Super Cloudbuilt, you take control of young soldier Demi, who wakes up in a ruined building, detached from her old life and her physical body. You wander around for a while as a light blue, transparent husk of yourself as you explore the strange new world. Eventually you get a more filled-out form, complete with a rocket-powered exosuit and awesome gun that you can then use to perform incredible feats of free-running and sharp shooting.

After you pass through the opening area, you come to a hospital where you see your physical body lying motionless in a bed. You and Demi come to understand that there has been an accident, and the world that you’re pushing Demi through is a simulation of sorts to occupy and challenge her brain as she recovers. Throughout the hospital are a series of doors with different names and difficulty levels, and following the completion of each level the player learns a little more about what happened to Demi. At the same time, Demi goes through the mental and physical hardship of accepting her new reality as she tries to figure out what happened to get her here in the first place.

 

 

Super Cloudbuilt is all about the gameplay. It’s fast, it’s flashy, it makes you feel cool – exactly what you’d want from a parkour-based game. The controls are simple, although the use of L1 as the jump button and X as the drop/let go of a ledge button handed me quite a few deaths in the first hour of play. However, as with any game with an abnormal control scheme, it’s easy to get used to it. Most of the action is controlled with the trigger and bumper buttons – L1 to jump, L2 to dash and fly with the jetpack, R1 to shoot and R2 to lob sticky grenades. X is used to do your admin stuff (i.e. checking computer terminals and navigating menus) and fall to your death or to a safe location, if you prefer.  

Super Cloudbuilt is all about parkour, so your main methods of getting around are wall running and jumping over long distances. Later, Demi gets upgraded with a jetpack and you can start to do small dashes and giant flying leaps over massive distances. Oftentimes these will be combined with a super speed-inducing slide and that’s…well, that’s just loads of fun. Demi can also hang off ledges and cling to walls like Spiderman and orient herself before launching over to the next destination. However, it’s not all fun and games.

 

 

You have a little yellow meter at the bottom of your screen that shows how much flight/movement power you have left for anything more advanced than basic wall running and jumping. You can pick up little power-ups scattered around the levels to fill the meter in a pinch, or if you’re walking around the meter will quickly refill by itself. However, if you run out of juice midway through a long wall-hopping segment, then you’ll find yourself losing a life.

“Losing a life?” That’s right! You have a finite number of lives to use in each level! Oldschool, right? It puts a necessary limit on how many times you can just fling yourself through a level without thinking about what you’re doing first. If you lose all your lives you’ll be returned to the hospital and will have to start over at the beginning of the level. The game does offer checkpoints intermittently through levels, so if you die midway through you won’t always be sent straight back to the start of the level. You can also hunt around and find manual checkpoints that you can set down yourself. The extra checkpoints are perfect for when you’ve found a really difficult spot and don’t want to keep traipsing all the way back over to it every single time you fail.

 

 

Enemies are typically small robots that fire projectiles at you from afar, or that crawl along the ground towards you to give you a beating close-up. There are also other obstacles you can smack yourself into, such as force fields, mines, and dangerous beams of light. The blue meter at the side of the screen is your health, and there are health pickups throughout the levels to keep you in top form. You can also die by straight up falling into the never-ending abyss below the platforms you’re jumping around on. Dying will take you back to the nearest checkpoint, or to the start of the level if you haven’t hit one yet.

Throughout each level there are also various collectibles to pick up, chief among them being the four metal pieces with “A, B, C, and D” written on them, respectively. If you find all four before exiting a level, you will receive a prize. In fact, at the end of each level there are a series of lockers you can open if you’ve fulfilled various requirements. Some give a permanent upgrade to your number of lives, others give outfit changes for Demi, and there are many more that I haven’t gotten into because they require completing specific challenges. There are a total of 177 challenges between Time Trial, No Ammo, Fragile, Supercharge, Beacon, and Pathfinder options. While I was playing on story mode, there are two other modes: Ranked and Rush.

 

Initially I had some issues adjusting to the weird (to me) placement of the jump/drop buttons, but I never had any issue with the general game mechanics and movement. The gameplay is really easy to pick up, but you have to think closely about what you’re doing or else you’ll soon run out of momentum and find yourself wasting lives by falling down into the abyss. The gameplay feels smooth and not at all laggy, and as I mentioned earlier, it’s downright fun hitting a good stride (or a slide!) and powering through a section of a level at insane speeds. I have but one small, petty niggle about the gameplay and that’s that Demi’s walk cycle looks weird.

Super Cloudbuilt has a really nice cell-shaded aesthetic like you’d see in a Telltale game, although it’s definitely more cartoonish and rough. Both Demi and the environments have this lovely sketchy look about them, like someone decided not to do hard, neat line art before coloring and texturing the environments. Personally, I really like this sort of look and I think it suits the game much better than a really neat and tidy approach would have. Despite the early areas (besides the hospital) being predominantly blocky and grey, between the enemies, pick-ups and obstacles, Super Cloudbuilt still feels like it has a lot of brightness and color.

 

 

Often there’s a lot going on when there are multiple enemies pursuing or shooting at Demi at once, but even in tenser moments I was never blindsided by attacks. All of the animations for projectiles and the like are very clear and easy to see and dodge (or not dodge, whatever, it happens sometimes, or a lot). It’s also very easy to see where your own projectiles are headed, and you don’t have to adjust for angles or the heaviness of the grenade weapon when shooting, it just blobs over to wherever you had pointed the trigger.

Some might argue that this inclusion sucks away realism, but I prefer it – I know I’m playing a game, it doesn’t have to be realistic. I also appreciated that despite all of the high speed dashing around, the game never felt too hard to focus on, nor did it become dizzying or sickening to play over long periods. The sci-fi aesthetic was really appealing, and the neon colors used in some areas of the game would have easily fit into a lovely B-grade 80s sci-fi movie, which in my opinion is a point to its credit. The music isn’t particularly emphasized in Super Cloudbuilt, but it’s appropriately energetic during levels and sombre and thoughtful during hospital segments.

 

 

So, to buy Super Cloudbuilt or not? Honestly, I never would have picked up Super Cloudbuilt based on the cover art or the synopsis. However, I’m really glad that I’ve had the opportunity to give the game a go, because it’s really fun. The asking price (at $19.99 USD on PSN) is reasonable and you’ll get plenty of replay value out of the challenges and leaderboards, in addition to banging your head against engaging puzzles in the main levels. Super Cloudbuilt is a cheap, engaging investment that turns every couch potato into a speed demon and it has my seal of approval!

 

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REVIEW / Dead By Daylight (PS4)

 

I’m not hardwired for excelling at scary games (ie: I’m a complete wuss to the core). When I sat down to play Dead By Daylight, I received further affirmation of this truth. Moonlit cornfields, deadly killers, and myself are definitely not three things that go together. My first round, I thought I could get by just by hiding in dark corners. Boy, was I wrong! The intense nature of this game requires extreme stealth, quick reaction times, and the kind of confidence that for me only emerged when I got more comfortable with it. Touting the slogan, “Death is not an escape,” Dead By Daylight was initially difficult for me to play. But once I really dug into the maps, the character progression, and goals, I found it a MUCH more enjoyable experience!

 

This is a 4 vs 1 gaming experience. Choosing your preferred game mode will allow you to play with friends, kill your friends, or play as a survivor (1 of 4), or the killer. While I can see the appeal of being a ruthless killer, I had more fun and success working with 3 other players as a survivor. Your goal as a survivor is to repair 5 generators, then activate one of two gates to escape the killer. As a killer, your goal is to make sure the survivors don’t make it.
With 7 different survivor characters and 6 killers, you definitely have a nice variety of character choices with varying perks. There are a small handful of additional choices for survivors when it comes to clothing or hairstyles. Playing as a killer offers varied special skills, such as placing bone crushing bear traps, making yourself invisible for a short time, or utilizing a chainsaw… because what would this game be without a chainsaw-wielding maniac?
One of the most interesting things about this game is that the killer and survivors have different points of view. Survivors play in third person, while killers play in first person. The killer has a more limited range of view due to this, but can see red streaks on their screen if the survivors have recently run nearby, and can temporarily see blood on the ground if there is a bleeding survivor.
Survivors can see where a killer is looking by a red beam emanating from the killer’s face in the direction they’re looking. Both sides have different perks you can unlock over time to make you a more formidable friend or foe. The longer I spent playing, the harder it was to stop. I wanted to acquire some of the badass perks I saw many other survivors had earned.
My first impression of the backstory was underwhelming. The killer gains extra bloodpoints when he successfully sacrifices the survivors to the Entity. In a nutshell, he tosses caught survivors onto a meat hook (of which there are many scattered around the map). Remaining survivors can attempt to rescue them by lifting them off the hook. Experienced killers may place bear traps or such near the hooked survivors, which is hard to see in the darkness. At your own risk, you can rescue these players. Hooked players can attempt to free themselves, however there is a ridiculously low chance you’d be successful (4%). If attempted and you fail to release yourself, the sacrifice process accelerates.
I found it more efficient to try to wait for someone to rescue me. If you become meat-hooked and are not rescued, there is no other escape. The Entity (a large spider-legged creature that comes down from the sky) will come and take your life in a whisp of smoke and screaming. Being hooked a second time will progress the sacrifice process. There’s not much information or backstory on the Entity, and since you only see it when it comes for a sacrifice, it’s a little underdeveloped in concept to me. Once dead, there is nothing else for you to do. You can leave the game, or spectate from the point of view of any survivor.
Prior to the start of a match, survivors have no idea which killer they are dealing with. You can accumulate consumable items, such as medkits, flashlights, or toolboxes to aid you in the upcoming match. However, if you start a match with consumables like these equipped and happen to die in the match, your items are lost forever. Perks never get lost, but they take quite a bit of time to acquire and you can only have a max of 4 equipped. Perks can be quite helpful though in giving you an edge (I have one that alerts me when the killer is closing in on my position if I am facing him). Survivors offer varying perks, adding to the replayability of the game.
You can level your character by spending bloodpoints in the bloodweb (points are earned in the matches you play). Points spent on one character don’t transfer to another character, so if you decide you want to choose another character for their perks, you’ll start the new character out at level 1. Successful matches and other factors come into play when determining how many points are earned. Overall, the better you are at helping other survivors and repairing the generators, the more points you will be awarded.
Repairing generators can be quite tricky when you’re being chased around the map. Repairing them triggers random system checks where a dial pops up on your screen and you have to hit the right button at the right time when it falls within the required range. Failing a system check will cause the progress of the repair to be slowed, and makes an explosion noise that can alert the killer to your location. When this happens, you can run or hide until it appears to be safe to come out, or just move on to another generator and come back later. Thankfully, when it’s about to prompt you for a system check, it will give an auditory warning to let you know it’s coming.
I have to say, repairing takes quite a long time when your head is on a swivel waiting for the killer to approach. The generators save your progress if you abandon the repair, but the killers can derail the progress a bit by smashing and sabotaging the generators that are still in progress. Well-placed bear traps and other various traps made it very difficult sometimes to gain any advantage in their progress. This becomes quite frustrating sometimes, because you can’t really see the traps very well at all.
Being successful as a survivor in this game requires a team to work very well together. If you never help your team out by rescuing them, bandaging them when wounded, or repairing the generators, you’ll never get out alive. Staying in one position and not moving causes crows to circle over your head, alerting the killer to your location. The killer will pick apart your team and put more pressure on the remaining members. Some killers I found will hook survivors as bait to catch remaining survivors, waiting nearby to see if the person will be rescued. Being attacked by the killer once will wound you, and you’ll limp away bleeding. There are a handful of pallets on the map that you can throw down behind you to slow the killer down. If you’re not fast enough and get hit again, you are unable to move for awhile and will likely be thrown over the shoulder of the killer. Wiggling your body starts a timer where if he does not hook you in time, you could potentially escape his or her grasp.
The intensity of being chased is palpable… as the killer gets closer, you hear a heartbeat getting louder and stronger. If your whole team has been killed and you are the last one remaining, there will be a secret hatch you can find to escape. This offers another route of escape, since it can be difficult to be the last player and still needing to repair several generators and open the gate. However, playing with an experienced killer with several high level perks makes it harder for the survivors to be successful.
I think if the developers were to do an update to make it easier to work together as a team, they should add in a voice chat option. In the beginning, to me this seemed too simple a concept to make into a game by itself. I had originally felt that this whole game could be a multiplayer option within a game that also had single player mode, but after playing it a bunch, its complexities and leveling system make it exciting in its own right. Spectating after I died offered me a glimpse into how other people work together, and how experienced players are more successful at evading and escaping. The more I played, the more I wanted to keep playing. While the backstory is lacking, and there is room for improvement, the mixture of terror and excitement over the potential for escape made Dead By Daylight a strangely enjoyable experience for me.
This review is based on a retail copy of the game provided by the publisher.

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Tuesday, July 25, 2017

PREVIEW / Destiny 2 Beta (PS4)

 

Editor’s Note: Salutations, readers! You are about to read some hands-on impressions of the Destiny 2 Beta from my partner,  Al Valentín. Al is the shooter and huge Destiny nut in the relationship, so I figured it would be fitting for them to provide their thoughts on the beta. Enjoy!


Bungie knows how to create epic moments. Since the days of Halo, they’ve proven that they understand how to create deep connections with their characters, build universes that feel expansive and lively while also ensuring that you have enough drama, action and heartbreak to keep things interesting and keep the player emotionally engaged. Which is why for some fans of Destiny, like myself, there always seemed to be something missing. For a team that’s proven they can do epic, why has Destiny so far felt ultimately underwhelming?

 

 

I’ve always enjoyed the gameplay of Destiny for its subclasses and abilities that allow you to strategize in a bunch of ways, for the way you must work as a team and achieve a goal and for my addiction to the sweet, sweet, deliciousness of getting a beautiful new piece of gear. Still, the story has always fallen flat. While I’m a sucker for some of the truly great lines peppered throughout, as well as the generally badass flavor text on guns and gear, most of the story moments that felt like they should have been big, have always left me feeling underwhelmed.

In fact, I’d argue that my favorite moments have been about the actual mechanics of the play, the moment a strike becomes that much more intense and has you yelling or when a new round in Prison of Elders starts up and pushes you to the brink. That’s always been what made the game supremely playable and replayable despite its flaws. Reflecting on this, there’s a lot of reasons why this is the case.

 

 

Kotaku’s Jason Schreier wrote an excellent article that investigates how Destiny was slated to have a much more complex and ambitious story that was ultimately scrapped right before the game was slated to ship. It’s a good read if you have the time. Indeed, the concept of grimoire (additional text content that gives the player more backstory on the world) seems to come from the remains of that original plot and mythos.

While grimoire accessible through the Destiny companion app initially seemed a unique and perhaps ballsy move, and while much of it is beautifully written and interesting, it is a project that has ultimately failed. In a medium like gaming, which affords so many other possibilities via cutscenes or cinematics outside of the game, not taking advantage of that means we’ve loved characters despite the storytelling and not because of it. For comparison’s sake, look at Overwatch.

 

 

Overwatch is an incredible example of a game where the story is told mostly through outside content but in a way that is exciting, engaging and feels like a treat. And I’d argue that’s as much about the writing as it is about the means through which the information is communicated to the player. Destiny has never been able to accomplish the same type of storytelling success. It has never recovered from the way it seems that late development changes shook things up and messed things up in the process.

But Destiny 2 seems to be taking a few steps towards correcting this massive problem. In Destiny, there’s a moment where Cayde whispers to the player, “Take me with you.” With the newest installment coming in a few months, we might be able to do just that. Through playing the first story mode in the Beta, we’re offered a chance to not just hear or read about characters like Ikora Rey, Commander Zavala, Cayde-6 and Amanda Holliday, but instead actually see them in action (Speaking of which, where’s my girl Eris Morn at?). Throughout the story mission in the Beta, there’s multiple moments where we meet up briefly and get to see them wrecking Cabal. This is rad.

 

 

While some players might find these moments cheesy as there still isn’t much interaction between us and them (aside from Zavala), I’m intrigued by the possibilities. Will Destiny 2 allow us more opportunities to team up with some of its most beloved characters? I hope so. Based on other information released by Bungie via their YouTube, it seems that each of our main guides through Destiny (Zavala, Cayde and Ikora) have settled on different planets which promises to take us to new locales. However, to move from the hype and glory of working with them in the first story mission back to having them simply remain on their respective planets so that we can hand quests in would be a colossal waste. Let’s hope they manage to keep our interactions with the NPC fresh throughout and that the first mission is just a taste of what’s to come.

In terms of the actual plot, I’m genuinely intrigued by the direction that they are going in with this latest installment. The Beta gets us asking lots of questions. What will happen to guardians in a world without light once it’s been taken by the Red Legion? What more will we learn about the Cabal that can make them interesting and unique foes? How does our Guardian manage to survive and restore order? Who are those other Ghosts talking to us in the strike? Just how much am I going to have to listen to Nolan North talk (#teamdinklebot)? And just how evil is The Speaker? He’s like, totally got to be evil, doesn’t he?

 

 

The game, most obviously, looks gorgeous. The brief glimpse we get of Nessus through The Inverted Spire strike has me pumped to see what the rest of the worlds are going to look like in depth. The strike itself feels far more involved than some of our previous ones which will (hopefully) prepare us far better for the raids that will come with Destiny 2. The gameplay feels pretty smooth and fun. There’s an introduction of a lot of new types of enemies, particularly within the Red Legion. We have the introduction of Incendiors with long rage incendiary projectiles as well as Gladiators whose heavy melee attacks are fun and challenging to guard against at close range. We’ve also got the introduction of War Beasts, or as I will call them Red Legion puppers, though they are significantly less cute than Far Cry 5’s Boomer.

There’s also a lot of smaller cosmetic changes that are welcome. It seems we’ll be afforded a new level of customizability in terms of our gear and weapons via mods and shaders that seem to be usable on individual items of gear. Because let’s be honest, I’m like 40% just here for the gear drops and shaders. I’m also super pumped that according to the The Worlds of Destiny 2, Destiny 2 Gameplay Premiere, we will no longer have to go to orbit in order to travel from planet to planet. These seem like little changes that will make the more mundane aspects of the game a bit more fun and interesting.

 

 

All this being said, there are still some things that might turn players off. For one, weapon loadouts have changed pretty dramatically. While I’m stoked at the new inclusion of submachine guns, we essentially have two primary weapon slots. Submachine guns and sidearms both round out six choices including our older options of hand cannons, scout, pulse and auto rifles. Your first weapon slot are kinetic weapons that obviously deal no void, arc or solar damage but your second slot, now called energy weapons do. Your last slot, power weapons, will now include fusion rifles, shotguns, sniper rifles and grenade launchers (in addition to rocket launchers and swords) which will also deal one of the three energy damage types.

This stands to make PVP a bit more balanced by disallowing people from only moving between their heavy and special weapons but may have the affect of dulling PVE play for some. I’m not particularly bothered by this change yet but it may be far more irritating once I embark on the full campaign. Still, it does seem fairly silly that fusion rifles and shotguns are now in the same class as rocket and grenade launchers.

 

 

The new exotics mostly had me drooling. Riskrunner, the Exotic submachine gun you gain access to via the Warlock handles beautifully, looks sickening and can chain lightening damage between enemies which is super satisfying as well as useful for crowds of enemies. Sunshot, the exotic handcannon unlocked by Hunters in the Beta, allows kills to deal explosive solar damage to nearby enemies which is incredibly useful. The Titan option of an exotic auto rifle, Sweet Business, was my least favorite. It boasts increased accuracy when firing from the hip, a large magazine and an impressive rate of fire but felt a bit too unsteady for my tastes. I’ve certainly heard a lot of other players sing its praises however, so you may have better luck with it.

In terms of the new subclass options, my one big issue is that they don’t necessarily feel more and exciting than our old options. It seems a lot of what we’re seeing is reworked versions of old favorites and that’s certainly useful but perhaps may not live up to the desire for new options for some of us who’ve been playing since the start.

 

 

Don’t get me wrong, I’m genuinely happy with the reworking of the Striker class as somebody who fell in love with Destiny first through my Titan. And Sentinel seems like it would actually get me into playing a defensive class. But the Hunter and Warlock options don’t feel different or tweaked enough to be super pumped about. Rather than the double daggers of Bladedancer for Hunters, we now have Arcstrider which equips us with a staff that we can strike enemies with repeatedly. Warlocks now have Daybreak through the Dawnblade class which essentially gives Warlocks a modified version of the Titan’s hammers from the last game that allows a bit more range via its more airborne focused design. I found the ability a bit unwieldy at first but found it easier as I went on. Recharge rates definitely do feel a bit sluggish so it felt hard to really develop a flow with any of the subclasses but I’m sure this kink will be ironed out once the game ships.

Furthermore, what seemed like new levels of customizability in terms of weapons and gear seems to come at the expense of customizability of subclasses. While there are definitely a host of perks that seem like they’ll be incredibly interesting and useful, I’m also struck by just how few options there were to choose from in the Beta. Hopefully things do seem more once September comes. Still, for somebody who has genuinely enjoyed the combat thus far, I don’t think that this amounts to enough to warrant too much worry. I still had a ton of fun playing and the addition of new class skills like Dawnblade’s rifts, for example, are going to be interesting to incorporate into our gaming styles along with the other changes. I do hope however that the third subclass options will more radically shift things.

 

 

All in all, the Destiny 2 Beta definitely has me ready for the upcoming release of the game. The gameplay feels solid but streamlined, if not a bit too simplistic. All the things that Destiny has done well thus far seem to be largely intact: amazing weapons, cool enemies and gorgeous worlds. The strike feels epic and intense in a way that many of the old strikes never quite managed and the story mission highlights what could be a wonderful new direction. The changes we’ve seen thus far, if implemented correctly, stand to breathe new life into the game that has maintained a ton of diehard fans despite consistent (and justifiable) criticism. If Bungie is able to include more meaningful and exciting interactions NPCS as well as anything that resembles the actual character development that is currently nonexistent rather than relying on the constant barrage of Northbot dialogue and grimoire to tell a story, Destiny 2 just might be able to get the missing puzzle piece that will have made all of our loyalty worth while and bring new players into the fold.



Al Valentín is a PhD student in Women’s and Gender Studies living, loving and nerding in Brooklyn, NY. Their research brings game studies and gender studies together to think through questions of subjectivity, affect, emotions, difference and social justice. While they grew up on games like Sonic, Streets of Rage and ToeJam and Earl in Panic on Funkotron, Al’s gaming love now mostly revolves around shooters, role playing games and dating sims. In addition to gaming, they enjoy baking, selfies and designing their next tattoos. You can read more about their work by visiting their website or following them on Twitter.

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Pyre is now available on PS4 and PC!

 

Pyre, a brand new title by Supergiant Games (makers of Bastion and Transistor), has been released today on PS4 and PC. In Pyre, players control a character who is an exile in a high fantasy version of purgatory. Upon meeting three other exiles, the player discovers that they are the only literate one among them and is named “the Reader”. The other exiles recruit the Reader to help them travel across purgatory, where they are looking to cleanse their souls by defeating other exiles by opening a “Rite”. Rites are Pyre’s combat system, where two teams of exiles meet on a field with two columns of flame at opposite ends (aptly named “pyres”).

Rites are 3-on-3 battles where the teams attempt to launch a glowing orb that originates in the middle of the arena into their opponent’s pyre. Throwing the orb into the pyre damages it, and the goal is to completely destroy the opponent’s pyre.  The player can only control one character at a time, but can freely switch between any of the three. Any of the exiles can pick up the orb, but holding the orb makes the controlled character vulnerable to the opponent’s aura (a small space around each character). If the exile touches an opponent’s aura, they drop the orb and are temporarily removed from the arena.

Different characters have a number of skills to use in combat, such as dashing and shooting projectiles. In the larger game, players can improve these skills through the use of a skill tree. Each character has different innate abilities, such as the standard trade-off of being weak but agile or slow but powerful. Pyre includes a local multiplayer which will allow two players controlling separate teams to compete against one another.

On top of unique gameplay, Pyre offers gorgeous art and no doubt a soundtrack to die for, if Bastion and Transistor are anything to go by.  The story is told through visual novel-style on-screen narrative passages. Said passages include a hyperlink-type system to allow the player to zone in on particular phrases and explore the story further. The party can only travel during the day and must stop at night, at which point the Reader must determine what actions to take to support or improve the party. For example, the Reader can suggest scavenging for supplies, learning more of the world’s lore, or mentoring the three exiles to improve their skills.

Pyre is out now for digital release on Playstation 4 and PC for Windows, and you better believe I’ll be all over it as soon as I can get my hands on it.

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Monday, July 24, 2017

Boost Beast puzzles its way on to Switch

 

Our talented chums over at Arc System Works have been busy of late. I mentioned recently that they’re tantalising our taste buds with BlazBlue Cross Tag Battle due next year. What I haven’t told you yet is that they’ve just announced the release of another game. This time we’re talking about a puzzle/battle title called Boost Beast which has just become available on Switch.

So as the story goes, a sudden viral outbreak has infected the entire human race and turned everyone into zombies. The only survivors are a small group of animals led by Alec, the king of the dogs. He sets out with his army to exterminate the hordes of undead and restore peace.

You will need to use your match three skills while circumventing a series of dangers including cages that trap your animal friends and the grim reaper who will turn your allies into zombies.

The mechanics seem to be simple enough. It’s the addictive block matching that many of us are thoroughly addicted to. You’ll be relying on your puzzling skills to summon your animal companions and use them to destroy wave after wave of undead. With over 200 stages to play across you’ll also get plenty of bang for Boost Beast’s ten dollar asking price.

If you’re a fan of the match-three genre and happen to have a Switch then it’s a pretty solid bet that you’ll be wanting to give Boost Beast a go. It’s been out for a couple of days now so if this sounds like your thing you know exactly what you need to do.

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H1Z1: King of the Kill Elite Series Tournaments start this weekend

 

Game developer Daybreak Games is kicking off its Elite Series at DreamHack Atlanta this weekend with two exhilarating H1Z1: King of the Kill tournaments, one for five-player teams and one for solo players, with a combined prize pool of a whopping $250K.

 

H1Z1: King of the Kill

 

These tournaments will mark the first stop in Daybreak’s Elite Series, H1Z1’s global esports circuit, and is expected to be the largest esports event at DreamHack Atlanta in terms of both participants and prizing.

Two tournaments will be broadcast live from the show floor and will be broken down as follows:

  • Teams:
  • Solos:
    • A pure free-for-all for individuals, beginning with 120 rivals in solo qualifiers battling it out for their spot in the finals.
    • The 40 best-performing players will join the 20 pre-selected individuals in the solo tournament finals to fight for their share of $100,000.
    • Participants hail from more than 13 countries, including the United States, Canada, China, Denmark, France, Belgium, Sweden, Korea, Japan, Turkey, Brazil, Norway, and Australia.

The activities will get underway Friday July 21 and will conclude on Sunday July 23.  The tournaments will be broadcast live via Twitch at http://ift.tt/2vKjCwx if you can’t make it out or don’t happen to live in the ATL.

The Elite Series is a new esports circuit focused on bringing together the world’s top-performing players of the single-elimination, massive arena shooter H1Z1.  It will feature tournaments in the North American, European, APAC (Asia-Pacific) and LATAM (Latin America) regions.

If for some reason you have not heard about H1Z1 by now, let me fill you in. H1Z1 is a single-elimination, massive arena shooter that pits 150 battle-hardened players against each other in a robust and detailed world.  Players scavenge for weapons, ammo, armor, vehicles and life-saving supplies to gain the upper hand on the competition and be the last one standing.

 

 

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Saturday, July 22, 2017

REVIEW / SERIAL CLEANER (PC)

 

In some games you go out and kill people. In some games you have to stop people killing other people, this we know. But how often do you take the role of the poor sod that’s left cleaning up the mess? I think you’ll find that the answer is hardly ever. So what’s any of this got to do with anything? Well keep reading as I give you a little review of Serial Cleaner. Surprisingly enough, none of this has anything at all to do with breakfast.

 

 

As I’ve just mentioned this marvelous little stealth game puts you in the shoes of a “cleaner.” Not in the janitorial sense of the word, but rather one of the individuals that cleans up the Mafia’s mess before the police get there and do their own spot of cleaning. In true cleaner fashion you have to remove evidence, make bodies disappear and clean the whopping big pools of red stuff that are painting the levels. While doing this you’re avoiding being caught by the cops. If you’re seen by one of these boys in blue you better have a good place to hide and a quick way to get there. If you get caught you’re going back to the start of the level.

Adding to this pretty simple premise is a story line, which you’ll pick up between levels when you’re at your mum’s house. I mean … of course you live with your mum. After all, who puts “likes putting bodies in bins” on their job resume and has the social wherewithal to be able to look after their own lives properly? So yes the story is good and yes it’s involved, making you want to know what’s happening next. And no, as usual I’m not telling you anything about it. We don’t want to spoil the fun now do we?

 

 

One thing I absolutely love about Serial Cleaner is the artwork. It’s colorful and has a smudgy painted feel to it. It makes the game look cartoony without becoming juvenile. This clearly isn’t a game for kids, so the fact that the devs have respected their player base is really nice to see.

Another neat little thing with Serial Cleaner is extra stuff you’ll find if you’re thorough. Collecting magazines that you’ll spot about the place will earn you new clothing for your cleaner. This is obviously a cosmetic thing, but it’s still a nice little touch. Even better than this are the film reels. You’ll find these hidden about the place and when collected, they’ll open new, film-themed levels for you to play through.

 

 

This is a brilliant idea. You’re effectively getting what would normally be classed as DLC for free as long as you’re willing to work for it. Personally I think this should be the case with so many more games. If you’re skilled, you’ll get the extras rather than just forking over cash to get everything from the start. This deserves another pat on the back for the devs who clearly place their audience having fun over money.

Something else to note – and I can’t work out whether this is a good or bad thing – is that these levels are hard. It’s far too easy to get impatient waiting for guards to be looking in another direction and make a run for it. In a lot of these levels their are multiple police officers. Just because you’ve managed to dodge one of them doesn’t mean you haven’t wandered into the patrol zone of another. You really have to be aware of your surroundings and only move when it’s safe to do so. Just running blindly about the place will find you repeating levels a lot.

 

 

So with all this good stuff being mentioned it’s time for me to have a moan, only a little (and only) moan: the controls. This might just be my opinion, but I genuinely feel that a lot of companies are moving more toward gamepad/PC use. This is great if you have a pad but for us keyboard only users the controls seem to be getting a bit forgotten. In this particular case, I’m not going to moan too much about this. You have a choice between two control sets. For me the most comfortable one is the layout that uses arrows for movement.

Now, the thing with keyboard controls is that it helps when your command keys are close to each other. For the most part they are in that you’re using A and D to pick up evidence and haul/drop bodies respectively. Then someone decided to make the cleaning button shift. This is not a comfortable key to be trying to hit when you’re doing something on the fly and it’s even less comfortable when you’re being chased. This is fine when it’s a command you don’t use often, (I mean, be honest, how many games have movement commands that you literally never use?) but this is serial cleaner and doing that for expanded periods of time is more likely to give you serial carpal tunnel.

 

 

All in all I really don’t have a lot to complain about here. Other than the aforementioned control issue which is completely a personal thing there really isn’t anything I’ve come across thus far that I find hugely annoying. This is a title that offers a challenge, looks nice and makes you want to keep playing. As far as I’m concerned that pretty much ticks all the boxes. If you don’t like the stealth genre this is going to really frustrate you. Saying that … if you don’t like the stealth genre then you probably won’t be reaching for this game in the first place.

I thoroughly enjoyed my time with Serial Cleaner. I base a lot of my review scoring on how much I want to finish the entire game. In this case I’m still playing and will be getting every last scrap I can out of this title. I’d even go as far as to say I’d happily give some cash to just to see this game prosper. If you like being sneaky and thinking on your feet you’d definitely be wise to give this one a whirl.

 

 

 

This review is based on a retail copy of the game provided by the publisher.

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